Friday, January 6, 2012

The Weekly Feed: January Sixth

Sandhill Crane; Dugald Stermer, Los Angeles Times

Here's a partial list of the articles and links we've shared on our Rural Arts and Culture Feed on Facebook while we have been offline for the holidays and for holiday travel. We hope everyone has enjoyed their first week of the new year.

• The Los Angeles Times (as seen above) recently reprinted a number of field guide illustrations by Dugald Stermer, who passed away last month. This is an under-appreciated art form, and one we don't normally put under the wide umbrella of the rural arts, yet these illustrations make perfect sense alongside The Almanac For Moderns or the poetry of Lorine Niedecker.

• 2012 marks the centennial of Woody Guthrie's birth. The Woody Guthrie Centennial Celebration site contains all the information and links to a wide array of events, recordings and publications to mark this birthday. We'll have more information on these festivities as the year progresses.

• We've mentioned on numerous occasions the forthcoming film The Winding Stream: The Carters, The Cashes, And The Course of Country Music - and we were delighted to see this clip of a Carter-inspired song circle that crosses rural-urban lines:


• 2011 was a landmark year for the music and legacy of John Fahey. In the autumn Dust-to-Digital released Your Past Comes Back To Haunt You: The Fonotone Years [1958-1965] to wide critical acclaim, and Fahey's friend and collaborator Glenn Jones (who edited Your Past) released a The Wanting, a solo guitar record that also met with a warm and enthusiastic reception. On New Year's Eve we posted Fahey's later interpretation of "Auld Lang Syne," but here, instead, is a cut from the Fonotone years, with some vocals as well, followed by Jones's "Of It's Own Kind:"


 

• In thinking about the rural-urban migrations that shaped the modern blues, Howard Reich of The Chicago Tribune recently asked "Is This The Twilight Of Blues Music?"

The Boiled Down Juice has offered a series of diverse pieces recently on Ozark New Year's cuisine, urban farming, and the work of Jimmy Santiago Baco: the poet and advocate for the arts within the prison system.

• Knife-making is another under-appreciated art form, but thanks are due to Rural Missouri Magazine for producing this excellent video on the process and the products of such work. Kyle Spradley also contributes an article from the Ozark Knife Makers classes.


• From an Bedouin village to international literary fame, Egyptian novelist Miral al-Tahawy's story touches on a number of rural-international and rural-urban narratives. Abdalla F. Hassan writes in The New York Times of her journey and her most recent work Brooklyn Heights.

• We were excited to see that Stephanie Ash of mnartists.org recently offered a review of the Rural America Contemporary Artists exhibit. We are going to work in 2012 to focus in-depth on these artists, so please stay tuned. Here's RACA organizer Brian Frink's "Winston," a rural-contemporary complement to the work of Dugald Stermer above:


Thursday, January 5, 2012

Almanac For Moderns: Howling White-Fanged Days


January Fourth

Now we are in the very lists of winter, and what a winter, with the Atlantic coast lashed with storm on storm, with ships crying at sea through the lost staccato of their wireless. Cold blowing out of the Arctic, out of Keewatin, on the wings of cyclones that engulf a continent in a single maelstorm, vanish in the east to be followed by another. Frost reaching a finger to the tender tip of tropic Florida. And here, fresh ice thickening upon the unmelted old; ice in the loops of the country telegraph wires, every tree locked in a silver armor, a sort of a white Iron Maiden that breaks their bones and listens with glee to the cracking sound. Something there is in our North American winters peculiarly sadistic -- with a pitiless love of inflicting suffering for its own sake wherever the poor are huddled in the smoky cities, wherever men, and women too, battle against the cold in lonely prairie houses. We have no Alps from west to east to block the way of roaring boreas, no southland protected against our north. Our mountains march with the north wind, and in the drafty gulfs between them, and along their outer flanks, raids the packs of the howling white-fanged days.


More information on our Almanac For Moderns project and the work of Donald Culross Peattie can be found here.

Monday, January 2, 2012

To The New Year 2012

From the Foster-Fluharty Farm; Matthew Fluharty
from Sabbaths, 2005
VI.

I tremble with gratitude
for my children and grandchildren
who take pleasure in one another.

At our dinners together, the dead
enter and pass among us
in living love and in memory.

And so the young are taught.

          - Wendell Berry

Saturday, December 31, 2011

4H Royalty: It's Gonna Be A Rock and Roll Blowout

Album art from 4H Royalty's Colossalalia

Today I offer this song for folks' New Year's Eve revelries: "Rock & Roll Blowout" by 4H Royalty


I had the chance to meet these musicians at this fall's BIG FEED on the Colorado high plains; "Rock & Roll Blowout" became the unofficial anthem for the weekend, a song that shares the honesty and inventiveness of our hosts at M12 art collective.

Last year 4H Royalty released Colossalalia, a record that the Denver Post noted was "steeped in a uniquely rural kind of swagger and desperation." Self-described as "neither 'revivalist' nor 'purist' in their approach," 4H Royalty's music is not concerned with the normal crucibles of alt.country: stabs at rural "authenticity," put-on twangs, well-tread cliches. Instead, lead singer and lyricist Zach Boddicker creates song structures that alternate between narrative and lyric impulses, between honest emotion and off-kilter snapshots of rural and western life. 

Their live show matched the energy and wit of Colossalalia. 4H Royalty's lineup has settled into place in the last year - with drummer Robert Buehler, multi-instrumentalist Jamie Mitchell and bass player Andrew Porter joining Mr. Boddicker. These musicians are currently working on their new record, and, judging by their live show at the BIG FEED, this is a record to eagerly await in 2012. 

Here's another track from Colossalalia, "The Rosenberg Family Band," a song that, at least as I hear it, takes a tight country rock riff and then offers a surprising metaphor for the country music tradition, and the industry that surrounds it. Enjoy:

Friday, December 30, 2011

Woody Guthrie's New Year's Resolutions

Woody Guthrie's New Years Rulin's; WoodyGuthrie.org

Another reason to look forward to 2012: the centennial of Woody Guthrie's birth. A full year of events, publications, exhibits, and recordings are planned - all of which can be followed on the Woody Guthrie Centennial Celebration Website.

On the eve of the new year, folks can find Woody's 1943 New Year's resolutions on the excellent official Woody Guthrie site - please travel there to see a much larger image of the two pages reprinted above. Here's Woody's directives for the new year:
1. Work more and better
2. Work by a schedule
3. Wash teeth if any
4. Shave
5. Take bath
6. Eat good — fruit — vegetables — milk
7. Drink very scant if any
8. Write a song a day
9. Wear clean clothes — look good
10. Shine shoes
11. Change socks
12. Change bed cloths often
13. Read lots good books
14. Listen to radio a lot
15. Learn people better
16. Keep rancho clean
17. Dont get lonesome
18. Stay glad
19. Keep hoping machine running
20. Dream good
21. Bank all extra money
22. Save dough
23. Have company but dont waste time
24. Send Mary and kids money
25. Play and sing good
26. Dance better
27. Help win war — beat fascism
28. Love mama
29. Love papa
30. Love Pete
31. Love everybody
32. Make up your mind
33. Wake up and fight

Tuesday, December 20, 2011

2012 Preview: Glen Hanson

From the press materials for Glen Hanson Gallery: Now and Then

[With a new year approaching, The Art of the Rural is pulling back on the reins and taking a much-needed breather. Instead of going silent for two weeks, however, we'll offer tidbits on the articles we are planning for early 2012. Much more information and commentary will accompany these links at that time. In the interim we will still provide updates on our Rural Arts and Culture Feed. The Art of the Rural will return to normal operations on Friday, December 30th. Thanks again for reading - and making 2011 such and exciting and inspiring year!

I had the pleasure of meeting artist, musician, writer, and curator Glen Hanson at the M12's BIG FEED this year, and learning more about his work. Mr. Hanson arrived in Yuma in a vintage truck camper that he had recently rebuilt; he planned to escape the cold weather in the upper midwest and travel through the country for a couple months. In keeping with his artistic spirit, Mr. Hanson set out without an itinerary.

A recent retrospective on the groundbreaking art space he opened in the Minneapolis Warehouse district can be seen in Glen Hanson Gallery: Now and Then (article with excelllent pdf here). This video also features Mr. Hanson's interpretations of classic country music:

Mr. Hanson was born in Chippewa Falls, Wisconsin; he lives in Minneapolis and also spends many months of the winter in solitude in South Dakota. That's where ArtOrg produced this video:


Folks can view his recent extraordinary bead work, which pushes at both the traditional and modern applications of this medium, at The Bockley Gallery site.

Monday, December 19, 2011

2012 Preview: Sahel Sounds

Max from Yonta Hande (Pulaar for "New Generation"); Christopher Kirkley, Sahel Sounds

[With a new year approaching, The Art of the Rural is pulling back on the reins and taking a much-needed breather. Instead of going silent for two weeks, however, we'll offer tidbits on the articles we are planning for early 2012. Much more information and commentary will accompany these links at that time. In the interim we will still provide updates on our Rural Arts and Culture Feed. The Art of the Rural will return to normal operations on Friday, December 30th. Thanks again for reading - and making 2011 such and exciting and inspiring year!]

Christopher Kirkley frequently travels from his home in Portland, Oregon to western Africa, in an effort to document the region's extraordinary diversity of musical expression. His Sahel Sounds site offers an audio travelogue of sorts from these journeys and brings these musicians work to audiences around the world. 

One of his collections of this work, Music from Saharan Cellphones, has just been released on vinyl (downloads here) via Mississippi Records. I can't recommend this record (as well as this year's Ishilan n-Tenere) highly enough - please follow the links to learn more. 

Folks who may have been at the M12's BIG FEED have heard my consideration of this music (and its transmission) alongside the Alan Lomax recordings of Fred McDowell. I'm looking forward to sharing all of this in greater detail in 2012. 

Here's the Kickstarter video from Mr. Kirkley's successful campaign to bring Music from Saharan Cellphones to vinyl: